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Devo on de-evolution, devalued music

Gerald Casale of Devo performs in concert at the Greek Theater on October 31, 2006 in Los Angeles, California.

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TEXT OF INTERVIEW

Kai Ryssdal: You know how sometime when you hear a song, it just takes you right back in time? Like this one: "I say whip it, whip it good!"

Devo hit the pop charts with "Whip It" in 1980. The band had actually been around since the early '70s. They were kind of anti-establishment. Devo, in fact, is short for "de-evolution," as in, the de-evolution of society. The guys all dressed the same, they made some pretty interesting music. And then they stopped.

Now, though, they've started again. Devo's first album in a long time comes out tomorrow. So today in our continuing series, the Art of Money -- what artists and others see when they look at the economy -- Devo founder Gerald Casale and what got the band back to the studio after 20 years.

Gerald Casale: The world is on a disaster course, de-evolution's real. Devo is becoming senior citizens, and we had to do it while we could.

Ryssdal: Remind me of this de-evolution notion that you guys had.

Casale: Well, it wasn't a big idea. It was just a set of anecdotal observations about how things were going as compared to propaganda we all received as products of the 60s about endless progress, evolution, technology solving problems. But that isn't what Devo saw. We were looking at people seemingly getting dumber. And when I say that, what I mean is less able to think critically, to analyze information, started becoming more and more herd-like mentality of just repeating sound bites.

Ryssdal: So here's where I do the "wait a minute" thing, because you guys now on this album have sort of gone that way -- you're using focus groups, you're letting the audience pick the tracks that are going to be on the actual CD. I mean, you're buying into it. A clever marketing ploy, probably, but I mean, you are doing it?

Casale: Well, it's partly satirical, but it's also having your cake and eating it too. Because we decided, what's the one thing that Devo never did -- which was play ball. We don't exclude ourselves from the de-evolution process.

Ryssdal: Is there a song on this new album that exemplifies that?

Casale: Hm. I would say "What We Do."

"What We Do" by Devo: What we do, is what we do, 'cause all we do, is what we do. Aiming, praying, believing, maintaining...

Ryssdal: You know, it's great, because I can remember in the late 70s watching you guys on "Saturday Night Live" and saying, "Who are these guys? What are they all about?" And now you've kind of come full circle?

Casale: Right. We were shocking then, and what we were proposing seemed ludicrous and made some people really angry. And now, it's the opposite, we're not shocking at all. I've said that we're like the house band on the Titanic.

Ryssdal: You look a little bit wistful, a little bit regretful, just sitting in the studio.

Casale: That's what happens with age.

Ryssdal: There is, I think, on this album -- what I've heard of it -- you've guys acknowledged much more the business of music, I think, than you ever did. That, you know, you've gotta make a buck?

Casale: That is definitely the culture we all live in. I mean, look what's happened -- the implosion of the music business in general, the functions of labels are almost gone, people have devalued music in terms of its cultural important and they feel they shouldn't even have to pay for it. And with all the home-recording techniques, everybody puts out CDs and everybody thinks they can become the next huge act by using social networking like Facebook or MySpace. And it's all largely an illusion. What's happened is that so many CDs are put out per month, possibly 10,000 a month. Nobody can possibly even know half the music that exists out there. And so marketing is everything. Marketing is the end-all, be-all of our society.

Ryssdal: There's a song on this album, it's called "Watch Us Work It" that was commissioned by Dell. Let's play it and then I want to ask you a question.

"What Us Work It" by DevoWatch us work it, work it inside out, you watch us work it, work it out, watch us work it, work it inside out...

Ryssdal: Did I read some place you actually prefer your music to be commissioned, that's the way you like to do it?

Casale: Well, at this point, what's happened is, artists no longer make a living by selling music. They only make a living by tour grosses, merchandising receipts and having their songs licensed to commercials video games or films. That's it. Trying to make a living as a recording artist, that's the only way you're going to survive.

Ryssdal: Is it fair to say that this album is a little bit cynical?

Casale: We've always been accused of being cynical. I think anybody that honestly analyzes the problems of human nature in society is called "cynical." Yeah, we've never been the high hope and "put a bow on it" band.

Ryssdal: Gerald Casale from the band Devo. Their new album is called "Something For Everybody."

About the author

Kai Ryssdal is the host and senior editor of Marketplace, public radio’s program on business and the economy. Follow Kai on Twitter @kairyssdal.

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Damo P's picture
Damo P - Jul 3, 2010

Wow. I love Devo. After checking out this new album on youtube and various other review websites such as this I'm amazed at the number of people who claim they are actually going to buy this album. Me too. I pirated it first of course but for the first time i actually feel a little guilty about it.

P B's picture
P B - Jun 18, 2010

None of this makes any sense to me ... music is subjective ... entirely subjective ... the quality of music cannot be objectified. Thus it can only be considered patronizing to believe that people who listen to one form of music are inferior to another. Even more patronizing is to believe that those that listen to music "you" think is inferior are doing so because they are somehow brainwashed and that you have a greater capacity of free will. People should stop forcing their subjective expectations on people ... maybe those "devolved" brainwashed people who listen to say the winner of American idol do so because they enjoy it! maybe they get a lot of enjoyment out of it which is the point of music ... whether it is made by a kid in a bedroom or in the studio of a multinational company with money from nike does not matter. If you don't like it don't listen to it. Technology has increased so much that the people are in control of the music ... they can make it themselves and they can distribute it themselves. If this means it is more difficult to make money out of it ... who cares ... get a job and do it as a hobby ... it is captalism (increased tech.) that removed the financial incentive from making music not the alternative and thus relinquished music to be created more readily as a purer artform not a commodity. Both, however are fine, just make your own decision and leave people to theirs. if you are worried about the state of music just look at all the blogs and search around soundcloud (all made possible by increasing technology) and you will find a wonderful wealth and variety of music all made by people who aren't bothered about making money from it ... marketing is not the be all and end all... it is for some and it isn't for others .. some people like to like the stuff that would be described as mainstream (perhaps people enjoy being part of a “herd”) others don't … both are fine ... the alternative to having marketing influencing culture is of course far worse ... it would be a restriction in the true freedom of expression that technology has increased …

P E's picture
P E - Jun 17, 2010

Alligator shoes? What decade am I living in?

Phil ThePill's picture
Phil ThePill - Jun 16, 2010

DEVO was right! D R, you know NOT what you're speaking of - were you even around in the 70's? Did you actually hear the dreck they were playing on the radion? DEVO is and remains one of the most interesting bands ever. And Rob, yes they are cashing in because they deserve to and it's their right. But, we also NEED DEVO at this time in history - always have - we need them now more than ever because the Titanic of human civilization is about to go under and that's when you need the house band the most.

tom matrullo's picture
tom matrullo - Jun 15, 2010

Devo apparently has itself devolved into a parasite feasting off old Talking Heads beats, and grumbling about the public. In fact, the public still very much feels music is culturally important - so much so that it wishes to relieve it of middlemen in alligator shoes who want to tell us what we must listen to.

rob stolzy's picture
rob stolzy - Jun 15, 2010

Musical snippets as well as GC's remarks seemed pretty pedestrian to me. The band had it's place, far as pop context can go, back in the day. Reason for the dusting off now: transparantly clear -- can they cash in?

Sam Mandke's picture
Sam Mandke - Jun 15, 2010

Kai,

Thanks for this great interview! I'm so cynically devolved now, I'm going to go buy DEVO's new album!

Regina Burke's picture
Regina Burke - Jun 15, 2010

Great piece, I thoroughly enjoyed it. I've always loved the music but DEVO means more to me now as an adult because at 54, I get it. Thanks for a fab interview.

D R's picture
D R - Jun 15, 2010

"...they made some pretty interesting music"
Well Kai, you're entitled to your opinion.

Ron Marsh's picture
Ron Marsh - Jun 15, 2010

Daniel, love the "guy staring at screen" idea! In keeping with the partly satirical and self-deprecating humor of the band's current "focus group" campaign, they're streaming their album online today...for a room filled with cats. Who's more indifferent than a cat? Great stuff.

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