television

As the TV in your living room gets better, the special effects in big-budget Hollywood films are starting to look worse. Lane Brown of New York magazine discusses.

“They’re sort of poking fun at the idea of upward mobility, of the American dream being something that’s attainable,” said Vulture’s Roxana Hadadi.

Nahnatchka Khan, co-creator of the NBC series “Young Rock,” talks TV production and how a tough year can be translated into amusing entertainment.

Steaming platforms are investing heavily in new original cartoons, as well as building libraries of older favorites.

Reboots of popular shows don’t need to be a critical success to be a commercial one.

“It has been a real tough puzzle for Hollywood to figure out,” Hollywood Reporter’s Bryn Sandberg says.

Shows have been doing remote production, and for many of them that works. But for how long?

While much of television production has been postponed, showrunner Mike Schur got the original cast of Parks and Recreation together for a remote episode.

More and more organizations are starting to make their content accessible to the public.

Seventy-six million Netflix accounts have watched Henry Cavill and his dimpled chin fight monsters — for at least the first two minutes.