Monica Leo, managing director and lead puppeteer at the Eulenspiegel Puppet Theater Company in West Liberty, Iowa, talks about her craft and how she’s navigating a cloudy economy for the arts.

A back injury made Washington Post theater critic Naveen Kumar see the stage, and his work, from a new angle.

The Theater of Public Policy presents complex, thorny issues utilizing improv comedy.

This season, some of Hollywood’s biggest stars are coming to Broadway’s stages for limited runs. But can producers make money when a show can sell tickets for just a few months?

For performer Jonathan Betchtel, it all started with the film “Moulin Rouge.”

How cabaret performers weathered the pandemic.

Between surprise hits and the push and pull of streaming, Stephanie Silverman says theaters still have lessons to learn.

Lileana Blain-Cruz, the new resident director at Lincoln Center Theater, is in an influential position. Her choices could resonate nationally.

Currently 12 shows are open in New York’s prime theater district. By year-end, there should be 38.

Their success may hinge on attracting new audiences.