Update Feb. 27, 2015: Well, here we are a little over a year later and “House of Cards” Season 3 is up on Netflix. We can’t promise this is exactly how things went down this time around (there was that slight hiccup this year when the season accidentally got released early) but it’s safe to say someone called in sick to work today to be the next super-binger.
Original story: Feb. 14, 2014
The new world of Internet TV is really geeky.
I spent some time in the Netflix war room last night, as the company debuted the second season of its smash hit series, “House of Cards.” The war room is a conference room with big table in the middle, and as we approached midnight, a bunch of engineers were crouched over their laptops.
Jeremy Edberg, Netflix’s reliability architect, was one of them.
“So when the clock hits 12, the first thing I’m going to be doing is looking at our dashboards to see if anybody is playing the show,” Edberg said.
If nobody is playing “House of Cards,” that means there’s a problem. Unlike traditional TV, people now use hundreds of different devices to go online. And last night, the engineers were there to make sure “House of Cards” would play on every one of them.
Netflix monitors House of Cards mentions on social media during the season two launch in 2014.
“We’ve probably got sitting around the room an X-Box, a Play Station, Nintendo, Apple devices, Android devices and a couple of different TVs from our partner manufacturers,” Edberg said.
The engineers can tell, in real time, how many people are streaming the show on these devices, where they are and who’s binging. Edberg said the last time “House of Cards” launched, the engineers figured out the entire season was about 13 hours.
“We looked to [see] if anybody was finishing in that amount of time,” Edberg said. “And there was one person who finished with just three minutes longer than there is content. So basically, three total minutes of break in roughly 13 hours.”
Netflix knows who’s watching the show and in what quantities.
“‘House of Cards’ was obviously a big bet for Netflix,” Joris said. “But it was a calculated bet because we knew Netflix members like political dramas, that they like serialized dramas. That they are fans of Kevin Spacey, that they like David Fincher.”
Evers said Netflix uses this data when it decides on which original program to buy.
“We monitor what you watch, how often you watch things,” Evers said. “Does a movie have a happy ending, what’s the level of romance, what’s the level of violence, is it a cerebral kind of movie or is it light and funny?”
Netflix’s move into original programming is all about taking viewers from other media companies, especially HBO, said Brad Adgate, an analyst at Horizon Media.
He says Netflix has more subscribers than HBO, but when it comes to making money, Netflix is David to HBO’s Goliath. But Adgate says, Netflix does have its slingshot.
A scene from the Netflix War Room during 2014.
“I think right now Netflix does have a competitive advantage over HBO because of the analytics,” Adgate said.
Networks like HBO still rely, on large part, on Nielsen data. But the information Netflix gets is much more textured, granular — and valuable.
“And I think that’s where television and streaming video is headed — but I think right now streaming video is in the lead,” Adgate said. That said, he added, it’s just a matter of time before HBO and other premium channels catch up.
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